Cube Before Cube

[00:00:00] Speaker A: The views and opinions expressed by the. [00:00:01] Speaker B: No Nonsense show and its host do. [00:00:02] Speaker A: Not necessarily reflect views consistent with political correctness or the rare Sonics podcast network. So to get the show started right, we want to wish any officers of the sensitivity police a heartfelt fuck you, French. [00:00:13] Speaker B: I know you wasn't here, but this. There's been a shift in the. In the universe, right? Like, there's been a change in dynamic. So the last couple weeks ago, right, when we talked about Kendrick, it's been probably about like four weeks now. And B, you know, duped us all into thinking that he didn't like it and then told us that, hell, he did like it, right? And then afterwards, we all sat in the kitchen for about 15, 20 minutes discussing this album, right? And the nuances of it all. I asked my man today about it earlier, you know, before you got here, about it, and he's had a. What's that show? Change of heart. You are listening to the no nonsense show 10% less than any other podcast, guaranteed. About the album, about the whole. The whole situation. He doesn't. He's no longer. [00:01:26] Speaker C: He's probably trying to fuck with us again. [00:01:27] Speaker B: No, I don't think so. Yeah, I think he just. He feels some kind of way. I'm not going to speak album or. [00:01:31] Speaker C: About something that happened with the reaction of the album. [00:01:34] Speaker A: I would say the latter. [00:01:36] Speaker C: Oh, okay. That has. [00:01:37] Speaker A: But that has influenced all of it. To me, it's muddied the water. [00:01:41] Speaker C: What happened now? [00:01:42] Speaker A: Nothing. Nothing happened other than what I mentioned at the beginning of the segment two weeks ago. I believe it was maybe three weeks ago. Where it seems like, you know, it says Crips and Bloods left and right. [00:01:54] Speaker C: Oh, yeah, yeah. The dualities of. Yeah, but either side. [00:01:57] Speaker A: Yeah, but it's got it. It got to the point where it's. It's just so ridiculous that now I don't want to be a part of either side. So it makes me. It makes me less. [00:02:08] Speaker B: He's not even listening. He hasn't listened to it since that. That. That show pretty much. [00:02:12] Speaker A: I've listened to it maybe a couple of times in passing, but I've. I haven't sat down to hear it again because I'm just so annoyed with both sides. Everybody. Everybody who's. Who's with an opinion is just really annoying to me. [00:02:26] Speaker B: That's funny as fuck. Everybody with an opinion annoys me. [00:02:30] Speaker C: But that's what social media do, though. Like, everybody feel like they can say something in this law, but it's just. [00:02:35] Speaker A: Made it to the point where I don't. I don't even care. Not. Not even. Because it's not a good album. I still think it's a good album, but it's like. It's hard to even enjoy it in peace because I don't want to associate with Kendrick side or with Drake's side. They're both ridiculous sides to be. This is ridiculous. It's music. It's for everyone. [00:02:51] Speaker C: It's a win for everybody. And then the thing is he's still doing things to work the album. Like he's about to go on tour stadium. [00:02:56] Speaker A: I don't want to go, but I want to go. [00:02:59] Speaker B: You know, neither one of y'all want to go. [00:03:00] Speaker C: I want to go, but I look at the ticket price. [00:03:03] Speaker B: Ok, so that's the ticket price. [00:03:04] Speaker C: No, no, it's not. The ticket price is fine. It's the other fees that I don't understand why we got to do that. [00:03:09] Speaker A: That's. Every time though, costs more than a ticket. That's normal. Ticketmaster and all those companies that do stu. They are. They have ridiculous. [00:03:16] Speaker C: Some shit cost $300. You end up paying 7. [00:03:18] Speaker A: It'd be like a processing fee, $35. Like what? Convenience fee, $10. You're like, what the fuck? What's the inconvenient way to get it? Cause I'll go buy it that way. What's the inconvenient way? [00:03:28] Speaker B: Mail me my ticket, right? [00:03:30] Speaker A: Can I just show up somewhere and not pay this extra $10? No, but it's just. It's the energy around it. It makes me not want to listen. Cause I don't want to be on the side. And it makes me hate music. And I love music. So it's like, eh. They kind of got me in a spot, bro. [00:03:46] Speaker B: And so I think I can, you know, so it's made me listen to more, right? [00:03:52] Speaker C: Like I'm still listening. [00:03:53] Speaker B: And so not. Not just that album, but the whole. The whole process, right, like of the battle and everything, right. And leading up to it, right. Like even songs like. Which was the one from Rack that Murals? No, no, no, no, no. That's not even from the. That album. Like, you know, so, you know, I had kind of fallen off the dis. No, even before the dis. Right. Like, so I. What was it? You know, I remember you mentioned first person shooter. A long time when we were up there, you. And you mentioned it as your favorite J. Cole song. Right? [00:04:29] Speaker A: That was your favorite J. Cole song. [00:04:30] Speaker C: At the time, I think. [00:04:31] Speaker A: Oh yeah. [00:04:32] Speaker C: That was because you had. You Was talking about what it name a. A J. Cole song. And I was like your first person shooter because that's when that song first came out. Just I came out with him and Drake, right? Kendrick was supposed to be on that song, right? [00:04:42] Speaker B: So, like, like Buried Alive on Take Care. [00:04:46] Speaker C: Oh, yeah. [00:04:46] Speaker B: So that, yeah, yeah. And so Poetic justice. Well, it is. So. But that one is they, you know, they're talking to each other about each other, right? Like I'm buried alive and about how they feel, you know, how the other one makes each other feel, you know, I mean, and that type of deal, right? And even, you know, like you, I said, you know, I have to re specify, like, I know that I said Kendrick won. And I may have said it like it wasn't even a contest, right? Like there was like, it was just a demolishing of Drake. That's not the case because going back and listening to Push Ups and Taylor Made freestyle. [00:05:28] Speaker C: Taylor Made was hard. [00:05:29] Speaker B: Taylor Made is dope, bro. The way that that is. There's a level of creativity to that, right? That and it's when he's rapping as Snoop and, and Pac, the things he's saying in perspective, it's like, listen, like, we're looking out. We want, we want you, bro. Like, where were you at? You the, you the west coast, you know, I mean, this, you know, this, that and the other. [00:05:48] Speaker C: We need you. [00:05:49] Speaker B: Right? The way that, the way that he did that was dope, right? And then the fact that again, I. [00:05:54] Speaker C: I, I, Drake was winning until Euphoria. [00:05:58] Speaker B: Yes, right. And so there's a thing, right? Like I was telling him, like, on Twitter, they had a. I think I may have reposted it and I don't know if you saw it, but he said, like, where this was. Kendrick's fans had to deal with before Euphoria and everybody, Fat Joe, Charlemagne, Academics, I mean, even Snoop, everybody was saying like, hey, yo, man, this dude is on your head, bro. Like, and I mean. And where are you at? Like, it's been a minute like since the first days, since Push Ups. Like, you haven't done anything, you know, I mean, and we haven't heard from you. You know what I mean? And, and everybody's like, oh, you guys have pumped this dude up to be Kung Fu Kenny and some sort of like Boogeyman battle rapper. This type of. That type of. But it don't seem like that at this point. So before Euphoria, yeah, nobody was feeling like Drake was losing. Drake was on Kendrick's head. [00:06:51] Speaker A: It sounds like you're saying Kendrick is acting light skinned? No, no, he overdid it because he got people got in his head. [00:06:58] Speaker B: Did he overdo it? I mean, how do you overdo a. [00:07:00] Speaker A: Fight to where you're smothering somebody in the ground? [00:07:03] Speaker B: Nah, my nigga, listen, listen, that's not overdoing it. I don't know. I don't know. [00:07:07] Speaker A: You kick a nigga when he's already down. [00:07:08] Speaker B: No, so this is so. And you sent me some shit, right? And this would make me understand why the kicking in the ground, right? [00:07:15] Speaker A: Right. [00:07:15] Speaker B: Is if this nigga said that, you know, you tried to put a head on me. You tried to put money in my city. [00:07:21] Speaker A: First of all, let's be very clear. This is an alleged statement from somebody that we don't even know. I don't know this person is sure. [00:07:28] Speaker B: But if you listen to the lyrics, right? Like when he said, like, you know, you try to use the big bank transactions and bitcoins, right? To. With. In my. In my city, but they wasn't with you. But if it had gotten into the hand of a crash test dummy, that would have put a burden on my family if somebody would have took that money. Right, right. So nobody was willing to take your money to me up. Whether it's fucking. Just fucking me up or find dirt on me or off in me, right? Whatever the it was, nobody wanted your money to help you me up. But if they had, I would be up, right? And because of that, there's no truce. Like, I will go to hell with you. Before we call a truce. Like, there's no so. [00:08:09] Speaker A: But hold on, wait a minute. [00:08:10] Speaker B: From. From here on out, there's no truth. And even before that, when he said they get like in, in. What was it? I think it was in. I can't remember the specific song. But when he was like, listen, walk around like Daft Punk, his headshots from here on out, like, because of that. And he mentioned that same thing. Like, you tried to do me in my own city. Like, you tried to come here for me. [00:08:30] Speaker A: Right? [00:08:31] Speaker B: And that's not that it don't sit well with me. [00:08:33] Speaker A: Didn't somebody shoot at Drake's house and kill a security guard? [00:08:36] Speaker B: I don't know if he's talking about, but again, I think that's kind of what he's saying. It's like, listen, you're not really about that life where niggas out. Yeah, I know you said that. A nigga probably do it for a Gucci belt. Niggas out here really will do Some shit, niggas will roll up to Canada, nigga, and put it in. Put in work on your house. So where. You may not be able to touch me in my city, I feel like I can get you in your city, at least. [00:09:04] Speaker A: Killers everywhere. [00:09:05] Speaker B: I understand that. [00:09:06] Speaker A: And honestly, hiring somebody from his city seems stupid anyway, right? That don't make no sense. Because it be so easy. Like, everybody. There'd be witnesses who would know you. Like, there's just too much opportunity for them to get back, so. [00:09:18] Speaker B: Well, that's how they got Biggie. [00:09:20] Speaker A: Who? [00:09:20] Speaker B: I mean, they had. They got. [00:09:22] Speaker A: In his city. [00:09:23] Speaker B: No, no, they got niggas from. They got n. Oh, you're right. [00:09:26] Speaker A: You see what I'm saying? [00:09:27] Speaker B: I see what you're saying. [00:09:28] Speaker A: Yeah. Like that I'm not going to your neighborhood to hire killers out of your neighborhood anyway. That's just so. I don't even know if that's true, that it's a great take. And I don't know if it's true or not. And if it is true, I can understand the. You know, the. Like, the amount of anger and the amount of intensity in the anger. I can understand that if that's true. But I don't know, man. It's all of that. It's almost like I'm not J. Cole in this. I'm not saying I don't like the taste of it no more, but what it is, is, like, I just want to enjoy it in my private place. And you know what I'm saying, all the other shit, like, people feeling like people who like it are somehow lost and just following the crowd, like, I don't know. I don't think that's me, but maybe. Maybe sometimes I get caught in the middle of it, But I don't think so. But it's just. It's too much on both sides. I'm just. I'm gonna take a break, and I'll probably get back to the album. Maybe next year sometime. [00:10:26] Speaker B: So you remember you saying that the blank part, you kind of knew what. Your ideas of what that blank part, the first blank. [00:10:33] Speaker C: It's probably something related to Cole. [00:10:35] Speaker B: It definitely. So there was. There's two things, like. So the one that you sent in, the thing where it said, you know, I made that boy Cole, you know, apologize. But you're right. But he. But even after that, like, he. He says it like, listen, I don't want no apologies. I don't want no niggas apologizing, right? And right after that, blank. He says it like, I don't want any apologies. They get like, listen, right after that. [00:10:56] Speaker C: Blank, he says something about like, I would never do something for a rap image. [00:10:59] Speaker B: Right? But then right after that, he's like, listen, I don't need no apologies. Like, I want y'all niggas to keep it fucking active. Like, let's, let's. If that's how you feel, then feel some kind of way. Right? But don't. Don't. I don't need no apologies. So I think definitely. I mean, I don't think definitely, but I think that that was part of what it is. But there was another dude that put something that said, I made them stop touching children. And I was like, that might be doper than the. [00:11:24] Speaker A: And I heard one today, like, the born sinner begged the king for forgiveness or something. [00:11:30] Speaker B: Huh. Yeah, he could have said that. [00:11:32] Speaker C: That would have been cool. Because even though people would understand the code reference, but you didn't really say his name right. Apply to anybody stuff. [00:11:40] Speaker B: Yeah. [00:11:40] Speaker C: I wouldn't leave that blink if that was the line. [00:11:42] Speaker B: Nah. Because again, I think they've squashed it. Right? I think known. Yeah. Yeah. That's not even. That's not even. [00:11:48] Speaker C: But him is Coast Guard because even on euphoria, he said, you, you. Because. Because the whole thing, the reason why Cole came out, because Cole wasn't tall with Drake, Right. That's why first person shooter came out and all of that. And then Cole. I'm a hopping. And then later found out it was personal. And then he apologized. So he was like. He was like, you did Cole foul. So him and Cole definitely had a conversation. [00:12:11] Speaker B: Yeah. And I think if we. If that's. If we cool Now. I'm not going to put out something that maybe I was writing, but when. [00:12:17] Speaker A: Was Nelly and the Saint Lunatics friends with the hot boys and bg? [00:12:20] Speaker B: Like, when was. [00:12:21] Speaker A: When is that ever a thing? Who gives a fuck? They were never like, kicking partners. Someone like J. Cole. Yeah. We really friends? I'm gonna lose a real friend. What the fuck are you talking about? [00:12:30] Speaker B: Then they get said it. So it's grew up together. [00:12:34] Speaker A: They don't like. [00:12:34] Speaker C: Do they know each other that well? [00:12:36] Speaker A: French. [00:12:36] Speaker C: It seems like they have a relationship. [00:12:38] Speaker A: When you was hanging with them, what. What impression did you get from them? [00:12:42] Speaker B: Are you speaking of. Are you going to the fucking dream house? [00:12:44] Speaker C: Of course he is the one this April. I don't know yet. Oh, zip is my schedule. [00:12:48] Speaker A: It started. [00:12:49] Speaker B: Yep, yep. Right. [00:12:52] Speaker A: He made a misstep. [00:12:54] Speaker B: He feeling some kind of. He don't feel the same Kind of way. [00:12:56] Speaker C: I didn't go to the last one. That's when. [00:12:58] Speaker A: Yes, you did. [00:12:58] Speaker C: I went to the one before that. But the last one, the last festival was the one. He apologized. [00:13:02] Speaker B: Oh, okay. [00:13:03] Speaker A: Oh, that's true. So you've been shady. It ain't new. [00:13:08] Speaker C: All I'm saying is they seem to have a relationship because right now, J. Cole is dropping a podcast series of his. Come up in the game. [00:13:16] Speaker A: Oh, my God. I don't care. [00:13:18] Speaker C: And then the last couple of episodes is talking about the time when him and Kendrick was developing friendship and even. [00:13:24] Speaker A: How do you feel about J. Cole coming back in the forefront with a podcast series? You need to have bars, right? [00:13:32] Speaker C: You ready? [00:13:32] Speaker A: You ready? Some bars, everybody. You can't drop out of the race and then come out with a podcast. [00:13:38] Speaker C: It's like 10 episodes. [00:13:39] Speaker A: I don't want to hear that. I don't want to hear none of that. But in that he. [00:13:43] Speaker B: He. [00:13:43] Speaker A: The. [00:13:43] Speaker C: The last couple of episodes, he was talking about his. His friendship with Kendrick and even played some songs that they recorded that nobody. [00:13:50] Speaker A: No, that's sweet. That's sweet. I'm just playing. [00:13:51] Speaker C: Yeah, but that's what I'm saying. [00:13:52] Speaker B: So it seems like that's. [00:13:53] Speaker C: It seems like they do have some type of rapport besides just a. I know. In the game. [00:13:58] Speaker B: Well, he said that about Drake, too. Like, I mean, he does. He. He said. I mean, like, so Kendrick said. He's like, I hope they my real friends. Like, when we get this shit get started and when it's over, I hope that they my real friends. Because if not, then I'm. Y. What do you say? [00:14:11] Speaker C: Why am. [00:14:12] Speaker A: Yml. [00:14:13] Speaker C: Yeah, apparently he's allegedly killed his friend. [00:14:16] Speaker A: What? Did he get convicted? [00:14:17] Speaker C: He's in prison for it right now. [00:14:18] Speaker A: It's not alleged anymore. [00:14:19] Speaker C: He's still fighting it. That's what I'm saying. [00:14:22] Speaker A: Once you're convicted, right? [00:14:23] Speaker B: Yeah. You can appeal all you want, buddy. [00:14:26] Speaker A: You're guilty to proven innocent now. [00:14:28] Speaker B: Right? [00:14:30] Speaker C: But, yeah, I don't know, man. I just think the. [00:14:33] Speaker A: I just. [00:14:34] Speaker C: My only problem right now with the beef is like, I don't. It seems like they're married to each other now. Whenever Kendrick does something, you got to compare to Drake and vice versa. Like now, because Kendrick got the stadium tour. Oh, Drake never did a stadium tour, but Drake also sold out Madison Square six days in a row. Like, so. I'm like, this nigga probably could have. [00:14:52] Speaker A: 100 years from now if the. If the world still lasts. They're not going to see this as an Equal battle. Drake is going to obviously be the person who did better overall. [00:15:01] Speaker C: Why you say all that? Because Kendrick's still going out stronger. [00:15:04] Speaker A: There's no way he's going to catch Drake ever. [00:15:06] Speaker C: Oh, not on. Yeah. [00:15:08] Speaker A: So I'm saying 100 years from now, when people are looking back at the archives, they're going to see Drake as a way. They're not even going to consider them even comparable. I know that right now we're in the. In the moment and we. We're looking at all these other factors like lyricism and song choices and how good the disc was and influence and community support, and we're looking at all this stuff. But 100 years from now, they're not going to be able to see all that. All they're going to see is the fucking decade that Drake ran. Music. [00:15:35] Speaker C: Yeah. And I don't think he's going to play not like us in the Super Bowl. [00:15:38] Speaker B: No, I don't. [00:15:39] Speaker C: After playing Reincarnated again, I'm like, oh, you won't play that shit. [00:15:42] Speaker B: I don't think that that's a. I. [00:15:44] Speaker C: Mean, I don't think it's super bowl friendly. [00:15:46] Speaker B: Yeah. I don't know if that's the right environment. Right. Like, I mean, you think you'll even. [00:15:51] Speaker A: Do any of the dissy stuff? [00:15:52] Speaker B: Yeah, I don't think so. [00:15:53] Speaker C: You might do, like. [00:15:54] Speaker B: I mean, when you. When you start talking about pedophilia, like, I mean, like, I don't know if that's a great halftime. [00:15:59] Speaker C: What if he goes all the way to W W W him up and then switch. [00:16:02] Speaker A: Well, here's the thing, right? Let's look back at all. [00:16:04] Speaker B: A minor. Like, what do I mean? Like, soon as he. [00:16:07] Speaker A: Let's look back at all the super bowl performances. They don't do their most recent songs. They do their hits. [00:16:11] Speaker B: Yeah. [00:16:12] Speaker A: So he's going to go back and do five, four. Four songs or four or five songs that everybody knows and loves the biggest hits right now. Not like us. They might play the beat. [00:16:22] Speaker C: Yeah. [00:16:22] Speaker A: As he's going out or coming in or something. Like they might do. But I don't. I don't know. I mean, not like us, definitely. So up the charts. [00:16:29] Speaker B: Yeah. [00:16:30] Speaker A: No, I don't know if it's his biggest. It's not his biggest song, though, right? [00:16:33] Speaker B: No. Is it. [00:16:34] Speaker C: It is not like us. [00:16:35] Speaker A: So it's his biggest song ever. [00:16:37] Speaker B: Well, I know he's got to top five songs. [00:16:38] Speaker C: Like, all right, it's up there still. Things like, as far as. [00:16:41] Speaker A: But it's up There. [00:16:42] Speaker C: So. [00:16:42] Speaker A: Yeah, not like us is up there. Yeah, so see, it's a little tricky because he's got to do his biggest records, but I could, I could understand why you wouldn't do that one. [00:16:49] Speaker B: Well, so right now, I mean, so just off of gnx. So he got, he got right now, this week. [00:16:54] Speaker C: Right now he's killing it. [00:16:55] Speaker B: He's got options. Right. Because he's the. He, he. I saw it. He's like seven songs. Yeah, but he's got the top five. [00:17:03] Speaker A: Yeah, but if he just did one song from gnx, everybody be okay with that. Yeah, if it did three or four hits and then one song off Gen X, everybody be okay with that. I don't think it's because he only. [00:17:13] Speaker C: Got like 10, 15 minutes anyway. [00:17:15] Speaker A: Right. That's what I'm saying. [00:17:16] Speaker B: It's not. [00:17:16] Speaker A: This isn't a long ass concert and. [00:17:18] Speaker C: And he's probably gonna bring other people. Only Usher did that. [00:17:21] Speaker B: So I heard, I heard that Lil Wayne tried to reach out and. [00:17:24] Speaker C: Yeah. [00:17:25] Speaker B: And I guess he didn't answer his call. So I guess Lil Wayne went in the booth. This is Joe Button's podcast talking that shit. Because I'm like, okay, well if he went in the booth, how long it take, bro? [00:17:35] Speaker A: Lil Wayne and I didn't understand that line. Want to see that? [00:17:39] Speaker C: Yeah, maybe I don't think I saw again because you didn't dis way. [00:17:42] Speaker A: Well, not just that. It's just. It's like I want Lil Wayne to keep his place. [00:17:46] Speaker B: Right? [00:17:47] Speaker A: Like, I don't want that. I don't even think he would lose. Because Lil Wayne is very clever and he has one. He has punchlines. [00:17:53] Speaker C: Yeah, but I think Kendrick's much more cerebro. [00:17:55] Speaker A: Yeah, but. But the masses aren't cerebral. [00:17:59] Speaker B: Ain't that the truth? [00:17:59] Speaker A: They're punchline heavy and they love him. Cause he's clever. Wayne is clever as hell. Like, he is a legend. He's one of the tops. [00:18:06] Speaker B: Oh, yeah. [00:18:07] Speaker A: You know what I'm saying? And I don't want him to jump in that and that become a thing. Like, that's a stupid battle. Yeah, that's a battle nobody wants to see. [00:18:17] Speaker B: And what are we doing it for? Because of what? Because he's doing your city or because he dissed your boy? That, you know, on your. Whatever. You know what I mean? Or he mentioned your name. You know what I mean? It doesn't seem worthy. [00:18:27] Speaker C: That's why we haven't heard it. [00:18:28] Speaker B: But yeah, No, I don't think. I don't think Joe Button was on it on that one, but he probably did. [00:18:32] Speaker C: But Little Wayne got advisors. [00:18:34] Speaker B: But Little Wayne also, like, there's a clip where he, you know, he mentioned he's like, listen, I'm not a battle rapper. He's like, that's not my lane. Like, I don't. I don't. I couldn't do that. Like, you know, I mean, I. I don't know. You know, some people do that, right? And. But not me. It's not. That's not who I am, you know, as a rapper. I don't. I don't see myself as a battle rapper. And it's funny because I watch these different ones where they're in the cipher, right? Like, and these dudes, they'd be all in each other's faces and, you know, and they'd be slow talking about real battle. Yeah, yeah, yeah, yeah. And they, you know, they repeat their line over and over because everybody be like, ooh. And they just be. I'm like, these niggas. [00:19:11] Speaker C: Those niggas are lyrical assassins. [00:19:12] Speaker B: Well, it just seems like they're ready to fight, too. Like, I mean, like the. That they be doing. [00:19:16] Speaker A: Oh, you mad because I'm styling, right? [00:19:20] Speaker B: They be in your face, like, I mean, and clapping and all. And you just gotta sit there and take that like this. Just said what? [00:19:28] Speaker C: Yeah. Loaded, Lux, man. [00:19:30] Speaker B: Yeah, that. That's the. That I wouldn't want to be. [00:19:33] Speaker C: Because, again, I couldn't do battle rap because not like that face. And then everybody's doing it. Yeah, but I don't know, man. This beef, it just gotta die out. It's just the whole, like, I just want hip hop to go back to hip hop. Everything's not comparing back to them, too. I like anything they do. [00:19:50] Speaker B: I don't think it's over, though. [00:19:51] Speaker A: What other artists could come out with a record that. You know what I'm saying, that would penetrate through that. It's difficult because I think that whatever record comes out right now, everybody's like, oh, I'm excited to hear the new record from such and such, but not more excited than if something were to pop off between Drake and Kendrick, you know, saying so. It's like, almost like we're reserving space for them. Yeah, well, we'll let a hit come through and we'll dance to it. But if one. If one of them dropped, shut everything else down. [00:20:17] Speaker C: We're. [00:20:17] Speaker A: We're done for the afternoon. We gotta listen to this album. You know, that was record. [00:20:21] Speaker B: That was us the last time we recorded after the show. And I Tried to play some Ice Cube for y'all. You're like, nah, nah, nah, nah, nah, nah. And I'm telling you, that Cube album is fucking man down. It's got hits on it. Yeah, it's got. [00:20:32] Speaker A: He was K before K, right? [00:20:34] Speaker B: Yeah. I mean, that's what he said. And that's it. And I believe he said it, too. No, I do. Because again, like, he was the young rapper that dominated the fucking industry, especially on the West Coast. Like, there was no better rapper on the west coast than Cube in Cubes prime, once America Most Wanted. Fucking death certificate, all of those. [00:20:52] Speaker A: What do you mean by there was no rapper? Like, Cuban is prime. So there have been a few that are way better. [00:20:56] Speaker B: No, I'm just saying. So there were anticipation. Right. So like, when you. When. When Cube first dropped America's Most Wanted, when he first split from NWA That I was in la. I was living in Southern California at that time. And it was like, yo, did you hear fucking Ice Cube got a new album. And it was like one of those things, like everywhere you go, that's all you hear out of people's cars. [00:21:16] Speaker A: What's the biggest record out of the west coast ever? [00:21:18] Speaker B: Probably the Chronic. [00:21:19] Speaker A: See, I don't agree with that. Not because I don't think that the Chronic was the biggest. I don't feel like that's a real record because there's so many artists on it. [00:21:26] Speaker B: Yeah. The Chronic that. I just remember the Chronic. [00:21:28] Speaker A: I would have said doggy style. [00:21:30] Speaker B: Yeah. I mean, doggy. [00:21:31] Speaker A: Because that's Snoop's album. [00:21:32] Speaker B: Yeah. [00:21:32] Speaker A: You know what I'm saying? Like, Chronic is like. It's Dr. Dre, but Dr. Dre's not really an artist. So it's like, you know, I mean, that's why that. I agree. Chronic probably sold more. [00:21:40] Speaker B: Yeah. And it was everywhere. Like, you couldn't. You couldn't go anywhere with not hearing it. [00:21:44] Speaker A: But that was really Snoop, though. [00:21:45] Speaker B: Yeah. [00:21:46] Speaker A: I mean, Chronic was really Snoop. [00:21:47] Speaker B: It was a lot. [00:21:48] Speaker A: He was the draw. [00:21:49] Speaker B: Yeah, he was. [00:21:49] Speaker A: Everybody else was dope, but he was the draw name. Name of verse that you thought, you know, if everybody were named some of their favorite verses on Chronic, Snoop is probably on that verse. [00:21:59] Speaker B: Right. And then you understand that everybody knows that out of any rapper, whatever slash, producer, whatever, the. Everybody knows Dre is not writing his own lyrics. Yeah. [00:22:12] Speaker A: Or is producing the beats. [00:22:13] Speaker B: Yeah. What do you mean? You don't think he's making those beats? [00:22:16] Speaker A: No. [00:22:17] Speaker C: So who's making those beats, Dre? Because if somebody else is making those. [00:22:21] Speaker A: Are you kidding? [00:22:22] Speaker C: The credit. [00:22:23] Speaker B: So who. So who's the producer? That ain't Dre. [00:22:26] Speaker C: Who made Still Dre. That'd be that piano. [00:22:29] Speaker A: Scott Storch. [00:22:30] Speaker C: Okay, well, he got his credit, though. Scott Stores, bro. [00:22:34] Speaker A: Dre is Puff. They're the same. Dre was never. [00:22:37] Speaker C: So he's more of a producer. He puts the things together. [00:22:41] Speaker A: He didn't make none of those, but he got what's the niggas now? I can't think of the guitar player's name. He got a cool ass name too, man. [00:22:46] Speaker C: He got. [00:22:47] Speaker A: Huh? No, no, no, no. I know the homie Focus was a producer. His for a while and produce. And he was. When he. He's here. Focus is here, though. [00:22:57] Speaker C: So when he goes and performs and he always got the piano, that's just for show. [00:23:00] Speaker B: So when you say, who's the doctor? They told you to come and see. That's. That's some bullshit. That's Cap. So when he's saying. He's saying like, when your shit ain't here. [00:23:08] Speaker C: So those NWA beats, he didn't make them. [00:23:11] Speaker A: Well, who is DJ Yellow then? [00:23:13] Speaker B: I always wonder DJ later. [00:23:14] Speaker A: Like. [00:23:15] Speaker B: Like, it's been like, what is. What is Yelling doing? [00:23:17] Speaker C: He's just in my studio saying, put the. Put the snare right here. [00:23:21] Speaker A: Is just a dick in the studio. I don't like that. Let's put this together. He's. He's. He's a real. I mean, he's a traditional producer. I've never seen Dr. Dre play a note. Maybe somebody taught him and he played it back. I'm trying to think of the nigga's name there. [00:23:35] Speaker B: See, that's why I never watched Compton come straight out of Compton, because I did see a scene where this nigga was in the studio with all the fucking slides and the buttons and this nigga's doing shit and da da, da, da da. Now I don't. I feel. I don't feel bad about not watching this shit, bro. [00:23:49] Speaker A: But there's so many, though. Let me see who's the niggas? I can't remember the guitar guy who did. I mean, he'll come in. That dude would come in and sit down and just play some licks. They're like, oh, I like that. And then he'll go find a drum sample to go with. No, N. That's not. I mean, yeah, yeah, you're making. You're. You're making. You're making the music. But it's like, come on, man. [00:24:14] Speaker B: He's not DJ Quick. [00:24:16] Speaker A: No, not even close. [00:24:17] Speaker B: Right. [00:24:18] Speaker A: DJ Quick actually produced a lot of the songs on some of that stuff. [00:24:21] Speaker B: Right. And Quick makes the beats. [00:24:22] Speaker A: He'll call Quick in to come in and sprinkle some shit on top of his guitar guy. You know what I'm saying? And in the end, what Dre is really good at is when that Dre is really good at making whatever beat it is sound like the Dre sound. But I don't know. Honestly, I don't know how important he was in that sound or that sound was given to him. [00:24:41] Speaker B: Right. [00:24:42] Speaker A: Not sure. So I don't know so much about that. That's a secret. We will find out when he dies, I guess. [00:24:46] Speaker B: Yo, Dre, so Chicken the Beat Dreams. [00:24:49] Speaker C: By the Game that wasn't his beat. That was a Kanye beat. [00:24:52] Speaker A: Yeah, okay. [00:24:53] Speaker B: I mean, you could tell that, right, though? [00:24:55] Speaker C: Yeah, but. [00:24:56] Speaker B: Yeah, so. Yeah, so. But so getting back to Cube. Right? [00:25:00] Speaker A: Okay, sorry. [00:25:01] Speaker B: So. So America's Most Wanted was like a classic to me. [00:25:06] Speaker A: Yeah. [00:25:06] Speaker B: Like, everything on that. [00:25:07] Speaker A: It was in Atlanta, too. [00:25:08] Speaker B: And it was like, this is his first break off, right? This is. Okay. Him stepping away from these niggas and doing his own thing. And it was just. [00:25:17] Speaker A: I thought. I thought west coast didn't with him because he went to the east coast to get the beat. [00:25:21] Speaker B: No, we love that. Especially, I mean, a death certificate. I mean, we so. [00:25:25] Speaker A: Well, yeah, but he changed. [00:25:26] Speaker B: But. [00:25:27] Speaker A: But, yeah, Def said he came back and had the west coast sound again. America's Most Wanted was not a West coast sound. [00:25:32] Speaker B: It was a lot of it, some of it. [00:25:34] Speaker A: All the producer east coast there was all the Public Enemy people. [00:25:36] Speaker B: But again, it was bomb squash. Right? But this is the thing right back in that, like. The. What. That wasn't even the 90s yet, right? That was like the late 80s, right? Maybe. [00:25:47] Speaker A: I think it was the 90s, but maybe it was right at the beginning. [00:25:49] Speaker B: Right at the beginning, right? So the. The. Everything we still there was. We weren't so independent west coast like, that. We couldn't. That we did. Not with the east coast anymore. Like, the rap still started in the east coast. And so if you listen to rap on the west coast, you listen to fucking Daddy Kane, right? EPMD, fucking public enemy. [00:26:11] Speaker A: Why does Spice 1 become a West coast rapper? He wasn't from the West Coast, Right. [00:26:15] Speaker B: Bay Area, right? [00:26:16] Speaker A: Oh, I thought he was from, like, Kansas or some. [00:26:18] Speaker B: No, no, he's from the Bay. Yeah. [00:26:19] Speaker A: Okay. [00:26:20] Speaker B: Yeah, so. But that's. So we weren't opposed. Like, I mean, I grew. I mean, Eric B Rocky, him. All of those were My favorites growing up. I mean, Public Enemy. I love Public Enemy, you know. Welcome to the territory. All of that fear of a black planet. [00:26:34] Speaker C: Oh, when did the beat is because of the East Coast, west coast beef. That's when the separation. [00:26:39] Speaker B: Yeah, definitely. That's when the separation started. That's when 94. Yeah, probably about that. Whenever, whenever. When it, when it. When. When Pa and Biggie started that and it was like, listen. Okay, don't. With them, I really became. [00:26:53] Speaker A: It might have been 95. [00:26:54] Speaker C: Actually. [00:26:54] Speaker A: It was pretty quick. [00:26:55] Speaker B: Yeah, it wasn't. [00:26:56] Speaker A: It wasn't even that big of a time period. Like, they make it seem like it was like this. No major time. It was quick. [00:27:02] Speaker B: Yeah. [00:27:02] Speaker A: Pac and Biggie died quick after each other. It was. It was maybe a year, right? [00:27:06] Speaker C: Because by 96, that's when three stacks was like the south got something to say, right? 96, 97. [00:27:12] Speaker A: Probably. [00:27:13] Speaker B: Yeah. But the east and the west coast, like, I. It was. [00:27:16] Speaker A: No, before, like 94. [00:27:17] Speaker C: I think that was like the same time. [00:27:20] Speaker A: Yeah, same time. [00:27:21] Speaker B: Yeah. So. And. And it was, you know, that. That beef, you know, again, it made it. It's like. What you talking about? With this Drake and Kinder. It made people draw lines. And it's like, either you with us or you ain't. Like, if you rocking with Pac, then you're not with. [00:27:34] Speaker C: So it's like history repeating itself, kind of. [00:27:37] Speaker A: Well, this is why I've always been like, I'm not part of any fucking fraternities or groups or whatever. Because everybody got to want, like, everybody just got to have a side. And if your side feels a certain way, no matter if it's right or wrong, all the one on that team, you got to rock like that. And I just. Man, I'm just sick of that. [00:27:52] Speaker B: You got to rock with that. [00:27:53] Speaker A: So it'll probably be next year for Allison, you know what I'm saying? [00:27:56] Speaker B: So do me a favor and check out that. That man down. [00:27:59] Speaker A: What's that? [00:28:00] Speaker B: Yeah. [00:28:00] Speaker A: Yeah, I'm not gonna do it anytime soon, but I mean, just because. Not because I don't want to hear it. It's just. I don't care. [00:28:07] Speaker B: Like. And that's all I got. I said. I put the video with the. With him and Killer Mike and Egomaniacs. Yeah. And it was like when you. And like I said, when you got time. Yeah, whenever you got time. Like these. The. That whole album though, goes like that. And it's. It's just, you know, the fact that I. With the fact that Killer Mike is on a level now. Where he's everywhere, you know, I mean, he's with anybody, you know, I mean, and especially to get on some. With a. Like, he said it was his idol growing up. Yeah. I mean, it was a. With an attitude. But to see him with Cube and that's like. Yeah, because I like. I like Killer Mike a lot. [00:28:46] Speaker A: I think we all liked Cubes. The police thing right here. Even when real time, you know what I'm saying? Even though I was. I was young, but I think that that transcended la. Not because we were already so up on, you know, police brutality. Because LA was a different kind of brutality. [00:29:05] Speaker B: Right. [00:29:06] Speaker A: People in Atlanta did not know, right. It'd be some racist shit here. [00:29:09] Speaker C: I still don't understand that. Because LA is west and Atlanta is the south and the west. [00:29:13] Speaker B: No, it's a gang, though. They're like LAPD is a gang, though, you know, they're their own gang. [00:29:17] Speaker C: Because you would think like a Southern state would experience the police brutality, bro. [00:29:21] Speaker A: LA police were saying, right? LA and New York police, like, they got movies about. [00:29:28] Speaker B: No, right. Like, so they talk about that shit. Like out there is like the biggest gang in LA ain't the Crips or the Blood. [00:29:34] Speaker A: It's the lapd. [00:29:35] Speaker B: It's the lapd. [00:29:36] Speaker A: Yeah. [00:29:36] Speaker C: Is it because of that financing? [00:29:38] Speaker B: No, it's just. Well, yeah. And they're everywhere, right? And they're. And they. [00:29:41] Speaker A: And they have very little oversight. [00:29:44] Speaker B: And they ride like. Like whatever. [00:29:46] Speaker A: Especially during that time, right? During the time fuck. The police came out. LAPD was on one, bro. They was. They was just knocking heads. [00:29:52] Speaker B: So you think, you think about the Rodney King shit, right? That was so lucky to be filmed, right? Like, I mean, that was four or. [00:30:00] Speaker A: Five years later, right? [00:30:01] Speaker B: That. That's so lucky to get exposed and put on film to show you what it is. But if you get pulled over, you could get hemmed up. I mean, it's, you know that. Like on Boys in the Hood, where he got the gun in face like, you know, I mean, like, you black, you know, you drive me crazy and all that. They. It was like there was a hatred, yeah. Of. Of. Of. Of young minorities. Right. Like, they didn't give a. And if they had a reason or no reason, they was going, there's going to. They was going to snatch you up. [00:30:33] Speaker A: And I think that Ice Tea song was probably the first one, Cop Killer, But. But the police just had a different ring to it. [00:30:39] Speaker B: Yeah, for sure. Cop Killer was a. Cop killer was dope. And that was a guy. Right? Like I used to argue with New York about and because Ice Tea was the, you know, the first LA rapper that kind of was big. Big, big. Right? Like, you know, I mean. And, you know, Six in the Morning Police, that 409 album was still like one of my classic ones. But yeah, it's. It's. It's Cube's new album. And Cube growing up like, again, all of those ones. He was the dude that everybody knew, like, he was the engine that drove NWA 100 miles and running. As soon as he left all that other NWA shit that came after a Cube that was mid. All of his mid. [00:31:17] Speaker A: Which one? About 100 miles around. [00:31:19] Speaker B: Yeah, all of his mid. All of that. She was mid final. [00:31:22] Speaker A: Him at Flea. [00:31:24] Speaker B: Listen, it was some. [00:31:25] Speaker A: It was some snaps. There were some snaps on. [00:31:30] Speaker B: Right? But it's not. It was. It didn't. Tell me. [00:31:32] Speaker A: Why do I call myself a. So quick? Because I can reach in my drawers and pull out a bigger dick. [00:31:36] Speaker B: Listen, you. I get it. And I'm not saying that they didn't have some hits on it, but it didn't hit the same as when. [00:31:44] Speaker A: Why do I call myself a nigger? You asked me. Come on, man. That. Stop. That's not bad. That wasn't. Here you go again. [00:31:49] Speaker C: You think you didn't hit because at that time, when those other songs came out, you was in a different time. [00:31:55] Speaker B: Listen, I pumped. Listen, I jammed 100 miles and running. I jammed it like that was. I'm not saying I didn't play that shit, but I knew when I played it. [00:32:06] Speaker A: You don't have to front on me don't be afraid it's only a DJ E if you be good to me oh, and I'll be good to you and we're both right home in my automobile what you know about that? [00:32:28] Speaker B: Yeah, listen, I told you. I. I went and bought it as soon as it came out. [00:32:33] Speaker A: Me too. I walked for that. [00:32:35] Speaker B: I bought that. Yep. [00:32:39] Speaker A: It was spelled backwards. Cuz they didn't want to say for life on the. That was an album. What are you talking about? [00:32:44] Speaker B: Listen, I'm not. [00:32:45] Speaker A: What was that reggae that was on there? [00:32:46] Speaker B: I'm not saying it. You know, the reggae was. [00:32:49] Speaker A: Was jamming. [00:32:50] Speaker C: What are you talking about? [00:32:51] Speaker A: My. [00:32:51] Speaker B: It just wasn't the same. Cuz it didn't have the. Listen. [00:32:54] Speaker A: Ah, you got that. You got that bias. I probably did because Q was on the other side. [00:32:59] Speaker B: Yeah. And it was like, you know. And they was dogging him on it. Right? Like they came for him on it. Right? [00:33:04] Speaker A: Like, you know, Benjamin Franklin. [00:33:05] Speaker B: Yeah. [00:33:05] Speaker A: Here's what they think about. No, that. Who's. Who's here. What they think about you. Is that them or was that. [00:33:09] Speaker B: That was Q. That was no Vaseline. Right. [00:33:11] Speaker A: Talking about Jerry Heller and him. [00:33:13] Speaker B: You're right. [00:33:13] Speaker A: Yeah. But, yeah, they was going for him, though. Benedict Arnold or something. [00:33:16] Speaker B: Yeah. I mean, they. They, they. They were, you know. I mean, try to front on him because you pick Cuban. [00:33:21] Speaker A: The Cube versus nwa. [00:33:23] Speaker B: Yeah. Lynch mob. Yeah, lynch mob. They get like. The Lynch Mob was like. That was crazy, right? Well, it was like, okay, Q, he. When he said he cut off his. You know, he cut off his Jheri curl, Right. He's trying to be something different. He's fucking with the nation. I was a little bit into that at the time, you know, I mean, like, the fucking nation did not see. [00:33:41] Speaker C: This nigga being part of the nation. [00:33:43] Speaker B: No, no, no. [00:33:46] Speaker A: Was it Africa pendant? [00:33:47] Speaker B: No, so I did have a. I did have a medallion. But that's. That was again, though, the S Clan nigga. You know, like, that was my. That was my rebellion type shit. Like, it was, like, ready to fucking. We was ready to revolt. Like, I mean, X. X Clan is so underrated to me. [00:34:01] Speaker A: Yeah. So they are. [00:34:02] Speaker B: I mean, nobody. I mean, there's a lot of people that don't know who they are, and they had a run and. And they were empowering to me. Like, the S Clan was that, like, you know, I mean, I would listen to them and I'd be like, it's. [00:34:16] Speaker A: West coast, too, though. Like, who is the. Who was in Men of Society? First scene. He was a. That was Old Dog's cousin or whatever, who wouldn't give up his car. [00:34:25] Speaker B: Yeah. [00:34:25] Speaker A: He's a rapper, right? [00:34:26] Speaker B: Right. [00:34:26] Speaker A: And he's a conscious rapper, right? [00:34:28] Speaker B: Yeah. I can't remember his name. Sophia or something, I think that might be, but I can't remember. [00:34:32] Speaker A: There was west coast doing conscious rap. [00:34:34] Speaker B: Yeah. [00:34:34] Speaker A: Dell the Funky homo. [00:34:35] Speaker B: Oh, yeah. Dale's the dope Souls of Mischief. [00:34:39] Speaker A: I feel like that was kind of conscious. [00:34:40] Speaker B: Far Side. [00:34:41] Speaker A: Yeah, Far Side. It was doing it over there. [00:34:43] Speaker B: Yeah. [00:34:44] Speaker A: So Q wasn't alone in that. No, but he was the first one, right? [00:34:48] Speaker B: He was. And I think, again, like, his. Like I was saying, you know, he. He did the gangster out, but it always. There was some messages in his shit too. Right. Like. And like I said, you know, like, on that fucking death certificate. Who's got you burning that? Made me wear condoms, like, you know, I mean, like, what you in for? I'm in for all. We test for his VD we don't do physical. [00:35:10] Speaker A: What's the matter? You burning? [00:35:13] Speaker B: Stepped out the house stopped short. Oh, no. What if I didn't stuck my dick in? [00:35:18] Speaker A: Yeah. No, Cuba's Cube was a shit. But I don't know, man. The new album, I just. I don't have space for it yet, but I'll get to it. [00:35:25] Speaker B: Yeah, I think when you do, you'll be, like, pleasantly surprised because I think it definitely has some shit that takes you back to, you know, funk eras and different shit. Like, he's even got some shit with JD from the Lynch Mob. Like, it's a whole album. Like, JD just got out of jail. He did 24 years for some shit. And they do a whole recap of damn. How it all went down, you know? I mean. Yeah. And he's like, listen. Yeah, well, he said, you know, start to scrapping and then start to cap it. And then it just, you know, that's just how it goes, you know? And he's like, and I'm on the tour, you know, Cube says, I'm on a tour on the other side of the country. I'm the other side of the world. And I get a call, I gotta come back. And, you know, this is what's going on. We fight it for two years and this, that, and the other. But you stood on 20. And he's like. Was always wanting me to. JD's like, you know, snitch or do this other. He's like, that's not what I was about. You know, I mean, he's like, if I'm in there, when I went there and I'm. I'm on. I'm with the Lynch Mob. But if we banging, I'm riding with the Crips. And if it's on some other racial. I'm riding with the blacks. Like, so this is how it goes out. I'm not here on no gay cripple bloodshed. I'm with the Lynch Mob. But if it's got to be some shit like that, this is the way it is. And now that I'm out, like, niggas wasn't solid. Like, let's be clear. Like, before I went down, people wasn't solid the way that they said they was. And it's just the whole story of it, and it's a lot of storytelling. Yeah, nice. Yeah, it's. It. It talks about it all, but it's. It's. It's a good album to be. I think, actually, I'm. I would probably say I can't remember when he's put out like, you know. [00:36:54] Speaker A: I mean, is that that highly anticipated? Yeah, well, it's like the I Love Makinon reunion. [00:36:59] Speaker B: Well, so when he had. What was the. The two ones where he had the death one or death certificate? Not death certificate. It was like, oh, Death and Dishonor, War and Peace. [00:37:10] Speaker A: Like, terrible. [00:37:11] Speaker B: Yeah, like those, those terrible. Yeah, those were not. [00:37:14] Speaker A: What was that top hat and cane he was in like, where are you from? They get like, are you an old vampire in England or something? Those were terrible albums. All the. In that time period was terrible. [00:37:24] Speaker B: Yeah, War and Peace. [00:37:25] Speaker A: That's right. That's where I fell off with Q. Seriously. [00:37:27] Speaker B: Right. [00:37:27] Speaker A: During that time is when I fell off because I bought that. I was overseas, right. I had to spend my money overseas to buy that. [00:37:33] Speaker B: Yeah, yeah. It's a war that money back. [00:37:36] Speaker A: I do, man. And then I like this album. If he gave me my money back for that, I like, I'll, I'll, I'll. I'll listen to this one with the chance to like it right now there's no chance because I think owe me. [00:37:45] Speaker B: That's how I feel anyways. Yeah, but yeah, no, that and Ride Along. [00:37:50] Speaker A: He had the nerve to make a ride along too. No, don't do it. [00:37:53] Speaker C: What's wrong with Ride Along? [00:37:55] Speaker A: It was terrible. That was good to you. What about the one where he was in a teacher and he and the other guy were gonna fight at 3:00? [00:38:01] Speaker B: Yeah. Fist fight or school was a guy. [00:38:04] Speaker C: From Super Bad, right? [00:38:04] Speaker B: No, the guy from Charlie from It's. [00:38:07] Speaker A: Always Sunny in Philadelphia. [00:38:08] Speaker B: Right, Charlie, whatever. [00:38:11] Speaker C: Yeah, that one with Kevin Hart. [00:38:12] Speaker B: No, but that. [00:38:13] Speaker A: No, but that's the only thing about Q, man. He does some crazy good, but he also got some a lot. That means he's trying a lot of chances. [00:38:20] Speaker B: No, bro, like. So was. Was it school fight? [00:38:23] Speaker C: Was it school fight? [00:38:24] Speaker A: School fight. [00:38:24] Speaker B: Yeah, I. [00:38:26] Speaker C: It was funny. [00:38:26] Speaker B: I remember laughing. I'm gonna say I laughed at school fight. And it was. And I think both of them like, okay, there's enough of only so much I can take of Kevin Hart anymore. Right? And it's funny because Kevin Hart even knows because he's like on his. No, no, but he's on that. What was that app that you bid over under, right? [00:38:47] Speaker C: I forget the name of DraftKings. [00:38:51] Speaker B: I think it might be DraftKings. He's like, you know, go over under. And he's like, do you want less or more Kevin Hart? He's like, don't answer that. I think he understands, like We've gotten saturated with it. Because again, at the same time, there's only one role you play. It's always you being Kevin Hart. Like, there's not. Someone said that to me about fucking Jack Nicholson, like, you know, or Nicholas. And he's like that. He. In the. After a certain time, he was just Jack being Jack. He wasn't really acting anymore. And I was like, I thought about that. [00:39:19] Speaker A: But that's Denzel to me. [00:39:20] Speaker B: Yeah. [00:39:21] Speaker C: Nah. [00:39:22] Speaker A: Why do people think Denzel's so great? What? [00:39:25] Speaker C: We've seen different roles. What have you seen? [00:39:27] Speaker A: What have you seen in him that was. Made you like, oh, my God, this guy's acting the fuck out of this part. Like, I saw somebody compare him and Daniel Day Lewis the other day. No, get the out of here. [00:39:35] Speaker C: No, different range, too. [00:39:37] Speaker B: So. So wait a minute, though. Okay, so John Q probably, I think was. Was a good acting role for him. [00:39:44] Speaker A: Like a good written movie. Go ahead. [00:39:45] Speaker B: Yeah, I. [00:39:47] Speaker A: Who couldn't have played that part? Go ahead. [00:39:48] Speaker C: Any dad could you say would be able to tap. [00:39:53] Speaker B: I don't. Again, I don't. I don't. It's. It's funny because Training Day, he gets a lot of pub for. And I don't think that. I think that's not like he's. [00:40:01] Speaker C: Fire. Yeah, it was a good movie and. [00:40:02] Speaker A: He did a good job at training, but I don't. [00:40:04] Speaker B: I mean, he's just, you know. [00:40:06] Speaker A: Excuse me. He did a good job, but I think that I believe the character. You don't believe the character. [00:40:14] Speaker C: Fences? No, that's not the name of the character. [00:40:16] Speaker A: Fences. Yeah, pretty good his thing there. [00:40:19] Speaker B: Oh, you guys like Fences? When it came out. Stop it. You guys are all on me. First I made a joke about some shit, and I remember you. I did not. [00:40:25] Speaker A: Okay, so me not thinking that Denzel did Daniel Day type work does not mean I didn't like Fences. [00:40:31] Speaker B: Right. [00:40:32] Speaker A: I'm just saying we've given Denzel the best black actor of all time award win, though, because I don't think he's the best black actor of all time. [00:40:41] Speaker B: Soldier story. [00:40:42] Speaker A: Soldier is good, but was he even the lead character in that movie? [00:40:45] Speaker B: Now you're probably right. [00:40:46] Speaker A: Howard Rollins was the lead character. [00:40:47] Speaker B: You're probably right. [00:40:48] Speaker A: Yeah, he was a. He was an extra. Glory. He was pretty good in Glory, but Daniel Day Lewis good. [00:40:54] Speaker B: No, this. Okay, so. Okay, now we're talking about the best. [00:40:57] Speaker A: He's the best black actor good in Glory. [00:41:00] Speaker B: So would you. Okay, let me ask you this. It's going rough with some people's. Feathers. Do you think he's better actor than Will Smith? [00:41:06] Speaker A: Yeah. [00:41:06] Speaker B: Okay. [00:41:07] Speaker A: Yeah. [00:41:08] Speaker B: Okay. Yeah. [00:41:09] Speaker A: I think Will Smith is just a. I think Will Smith is the character. [00:41:14] Speaker B: So, like, Pursuit of Happiness. [00:41:16] Speaker A: Yeah. Pursuit of Happiness is a tough one because he wasn't. He was like Training Day. It was like the opposite of, you know, how we see him. [00:41:26] Speaker B: Right. [00:41:28] Speaker A: I don't think Ali was that necessarily that great. [00:41:31] Speaker B: Yeah, I didn't see that. [00:41:32] Speaker A: I am Legend. I think it's probably my favorite Will Smith movie. But I don't know if it's because of Will Smith or because the movie is dope. [00:41:39] Speaker B: I'm a big iRobot, too. [00:41:41] Speaker A: IRobot is terrible. [00:41:42] Speaker B: Yeah. I don't know. [00:41:43] Speaker A: What do you like about iRobot? [00:41:44] Speaker B: I think it's just the. The movie itself, like, the concept of, you know, us relying on fucking technology and it fucking backfiring on us and having its own. [00:41:54] Speaker A: You like that? Yeah, that's right. Yeah. I really like the idea. Elon. [00:41:59] Speaker C: Robots look just like the eye robots. [00:42:01] Speaker A: I really like the idea of shit going into hell in a handbasket because he's AI and I just like that idea. Something about that just charms me. [00:42:09] Speaker B: I mean, it's the same thing like with Eagle Eye, right? Like fucking Eagle Eye with Shayla Buff. Yeah. [00:42:15] Speaker A: What are we talking about? How. [00:42:16] Speaker B: Because that's the same thing. Like, the computer is the one that's running shit. Like, the problem. The problem is the computer that they don't understand. Right? Like, it's not that you thinking that who's behind all these phone calls or who's making all this shit happen? [00:42:29] Speaker A: And nobody thought just unplugged the bitch. [00:42:31] Speaker B: Right? It's not. You can't just unplug them. I mean, I guess you can shut the grid down, right? [00:42:35] Speaker A: Yeah. Just get the power to everybody. We got to cut the power to everybody for five minutes while we unplug this motherfucker and get this shit done. Like, this AI scare is stupid to me. I'm sorry. I get it. I get everybody's terrified, but it's stupid. [00:42:47] Speaker B: We just go dark. [00:42:48] Speaker C: Power goes off. They can't do it. [00:42:50] Speaker B: We just go dark. Huh? [00:42:51] Speaker A: It's. It's. It's really. Just because it's. AI is a lie. It's really just a language learning model. That's what all this is based off of. Is. Is. Is. Well, for chat, GPT or whatever. It's input that we have to provide every single. [00:43:04] Speaker B: Even. [00:43:04] Speaker C: Even the complicated ones. Is we have to provide. [00:43:06] Speaker B: Yeah. [00:43:07] Speaker A: I told you about, like, The Auto Tune thing then. I talked to you about that. No, like. Okay, so, like, you know, when an artist is singing a song, there are gonna be some notes that sometimes they don't want to be on key. They want to bend them or they want to. They want to move between notes. Right. Okay. Auto Tune cannot. No matter how many versions of AutoTune there have been or melodyne Auto Tune, no matter what the program is, it cannot do that effectively. It's going to either make it the note above or the note below. It can't be a middle note. You'd have to turn Auto Tune off at that part. What that tells me is that computers cannot make good, bad, cannot make good mistakes. Computers don't have the ability to make good mistakes. [00:43:45] Speaker B: What was the shit that was fucking Roger used to have in his mouth? Oh, like the talk box was that he had, like, a fucking. Like a straw in his fucking mouth. [00:43:56] Speaker A: Yeah. [00:43:56] Speaker B: So that's not. That's not Autotune. [00:43:58] Speaker A: No, no. [00:43:59] Speaker C: Auto Tune is the. [00:44:01] Speaker A: What that is is he's actually playing those notes with his keyboard. He's just making noise into that tube and it takes that noise, that air and that noise from the tube and tunes it to whatever I know he's playing with his keyboard. So that's his fingers playing that. Okay, now that's why it sounds like that. [00:44:16] Speaker B: Okay. [00:44:16] Speaker A: Auto Tune is where it says, okay, I got A and B. A is below B. If a singer tries to sing a note there, I need to try to determine based on the key of the song, should it be an A or should it be a B? So it's going a little bit up or a little bit down, or if you're a really bad singer, maybe a whole two notes up or something. But the problem is, is that all notes aren't supposed to be on. There's. There's reasons why I would want to make a little bend to that note to maybe have some harmonic dissonance or something to make that sound different. Right. [00:44:42] Speaker C: Give it some character. [00:44:43] Speaker A: But you can't do that with Auto Tune because it doesn't have the ability to do it wrong. It has to do it right. [00:44:48] Speaker C: So even if you singing with the Autotune on, it's gonna fix it. It's gonna fix it. [00:44:53] Speaker B: So we know that T Pain gets a lot of credit, but who's the king or queen of Autotune? [00:44:57] Speaker A: T Pain, But Cher was the first one I heard. [00:45:00] Speaker B: That's what I was gonna say. It's that shares who made it famous. [00:45:03] Speaker A: She wasn't the first one who ever did it. I can't remember who it was, but she's the first one ever made it famous. [00:45:07] Speaker B: That. That Love after love. [00:45:11] Speaker C: Oh, I never thought about that song having Auto. [00:45:14] Speaker B: No, that's all Auto. Yeah. If you listen to that again. Right? [00:45:19] Speaker A: Every single night is Auto. [00:45:20] Speaker B: That. That's what made me. Because I. I didn't realize it at first either. [00:45:24] Speaker A: Yeah. [00:45:24] Speaker B: Until I. Someone mentioned it. [00:45:26] Speaker A: Okay, but look, take a step back. Now that I've. Now that you know this, imagine how many other things that filters into. If we're talking about something like singing an auto tune. If it can't make the mistake even if I want it to. What does that mean? If you spread that across every other thing that AI is supposed to be in charge of doing and turning the world over, if you can't even make a note, go in the middle because you know it's supposed to be there, why don't you know it's supposed to be there? I know why. Because I can't tell you how to make a mistake. I can only tell you what to do. Right. That's called programming. I can't program in the mistakes because the mistakes are unlimited. [00:45:56] Speaker B: Right. [00:45:57] Speaker A: Where. Where that note falls could be unlimited. There's no. There's no. There's no one place. There's all this spectrum of area. And how do I teach a computer to get that wrong? A little bit there it would be wrong a little bit the exact same way every single time. And it would no longer be wrong because people would start hearing that thing. Oh, that's right. And it's exactly the same way every single time. Do you see what I'm saying? [00:46:18] Speaker B: Yeah. [00:46:18] Speaker A: So now take that and expand it across every other decision, every other calculation that AI has to make in anything that it's working on. There's so many failures and there's so many places of fall down. [00:46:28] Speaker B: I hear you talking and all I hear is want to play a game. You know, I mean, like, I got a fucking. I want war games. Yeah. [00:46:35] Speaker A: Massive project. [00:46:36] Speaker B: Right. I just hear that fucking computer, like, want to play a game? And yes, nigga, no, I didn't want to play this game. Right. You took it this way like you did some shit that wasn't. [00:46:45] Speaker A: But why? Why would. Why? [00:46:47] Speaker B: I don't know. [00:46:48] Speaker A: Yeah. It just doesn't make sense. I know that we're all terrified. I know that we're all shaking in our boots, but it's all based off of input that's fed to it by humans. It can't do it on its own. I know you're like, but blue, Blue magic. [00:47:01] Speaker B: What'd you call it when they started talking to each other, Two supercomputers, and they had to shut their asses down. [00:47:06] Speaker A: That's what they say. [00:47:07] Speaker B: Okay. [00:47:08] Speaker A: I don't know if they did or not. All I know is that all the models they showed us require human input. [00:47:14] Speaker B: See, that was the thing that me up at first is that they got these two computers, supercomputers to talk, and they started creating their own language. [00:47:22] Speaker A: But what does that mean? How do they know? They created their money. They were just doing gibberish, fooling us because they. [00:47:28] Speaker B: They didn't recognize it. But. [00:47:29] Speaker A: Yeah, but. But if I go heavily. But you recognize that happen to somebody. Hey, guys, like, like, hey, yo, hey, other blue. Let's just say a bunch of crazy and see what they say. Everybody think we're coming up with our own language. [00:47:44] Speaker B: No, it was these two computers. So the computers thought about to say, hey, let's. Let's fool these humans into thinking. So if they can even do that. It's scary enough you can program the. [00:47:53] Speaker C: Computer to do that, though. [00:47:55] Speaker B: I don't know. [00:47:55] Speaker A: So I don't know. All I'm telling you is, what I know is it's. It's. We're years away from what people think is what is months away, right? [00:48:04] Speaker C: And also too for the regular, for the masses. Now, military might have some fire AI shit that we don't know about maybe, but the masses, they're not about to have that shit yet. [00:48:13] Speaker A: Yeah. [00:48:14] Speaker B: So just go back real quick. I'm sorry, I hate to go back, but we were talking about acting, right? No, no, seriously, because it made me think about something before we jumped off of this. So we were talking about Daniel Day Lewis and being a great actor, right? And he's. He's a method, right? What do you think is. Is harder to be, right? Like, so a method actor or. Okay, I guess harder is not the right word because I think that method acting is the true. And people are like, oh, that's too easy. Like, I mean, of course if you do that, like, that's easy, you know, I mean, I think it would be if you can just come in and jump in the role. I'm like, that's sociopathic to me, right? Like if you don't. If you. If you can just like drop into some fucking alternate personality. [00:49:01] Speaker A: Personality. [00:49:01] Speaker B: I think of the people who have. [00:49:02] Speaker A: Done it well, right? Heath Ledger dead. Yeah. Jim Carrey is crazy as now. He did it with man on the Moon. [00:49:09] Speaker B: Yeah. Have you seen that movie 23? He did too. [00:49:13] Speaker A: Yeah, I did. [00:49:13] Speaker B: Yeah. [00:49:13] Speaker A: Was he. I don't know if there was a method for that. [00:49:15] Speaker B: No, but he might have been. [00:49:16] Speaker A: He might have got in character and stayed in it. [00:49:18] Speaker B: Yeah. I mean, well, Daniel Day is a method actor. [00:49:20] Speaker A: Yeah, but. But, yeah, but look at his roles. My. Like that. There may be. There might be blood. There will be. There. [00:49:26] Speaker B: There will be blood. [00:49:27] Speaker A: There will be blood. Have you seen that French? Yeah, you seen it? [00:49:30] Speaker C: Yeah. [00:49:31] Speaker A: That shit is dark as fuck. And he. [00:49:34] Speaker B: The gangs of New York. [00:49:35] Speaker A: When I think of somebody back in that time, I think of his face. [00:49:39] Speaker B: Yeah. [00:49:39] Speaker A: It's kind of like how Denzel did me on Malcolm X. Which may mean. Malcolm X. Which may mean Denzel is a guy. [00:49:45] Speaker B: Yeah, no, Malcolm is probably. I forgot about that. I forgot about. [00:49:48] Speaker A: Bro. I don't. Even. For a long time I didn't see Malcolm X's face. I saw Denzel's face as Malcolm X. [00:49:53] Speaker B: No, he did that. I mean, like the transformation to make you feel like he was Malcolm. Yeah. [00:50:00] Speaker C: So you comparing method actors versus what kind of act? [00:50:03] Speaker B: Just the. So method acting versus just. [00:50:06] Speaker A: I guess I don't think it was a method is. [00:50:08] Speaker C: The method is like the people that, like, gotta be the character. Like, even when they're not recording. [00:50:12] Speaker B: Right. You still call me. Right? [00:50:14] Speaker A: That's the difference. [00:50:15] Speaker B: Yeah. So that's. [00:50:16] Speaker A: So I'm that at 7pm with my wife. I'm still. I'm still Abe Lincoln. I'm the president. [00:50:21] Speaker C: That is way harder than imagine making. [00:50:23] Speaker A: Your wife treat you like Abe Lincoln. Like she gotta call you Abe every time she speaks. [00:50:26] Speaker B: But to me that makes more sense. Right? Like if I'm in a role, then I'm in it. Right. Like, and let me. Cause it's for me to just walk in. And all of a sudden you go, action. And then all of a sudden, my God, like I split personality. And now all of a sudden I'm fucking crying or I'm fucking angry or I'm all this and that. [00:50:42] Speaker C: I think that is the talent, though. The people that can do it. But again, that's the talent. [00:50:46] Speaker A: Who is that? Who has played a handicap role and actually became handicapped themselves for like six months on purpose? Yeah, like, they made. They wouldn't walk. They. They only use. They only use a wheelchair. They only use, like, to get out of the car. [00:50:58] Speaker C: Mannerism. [00:50:59] Speaker A: They had to take their wheelchair and put in the back and then push on their arm. They got the car converted. Like, they did all that I can't remember who that was. [00:51:05] Speaker B: I don't. I don't know that either. But I remember what Pacino and Scent of a Woman when he was the blind dude, he did that. [00:51:11] Speaker A: He did a Method. [00:51:12] Speaker B: Yeah. And it's. I mean. And it's one of those things, like, because he. I mean, he. He. When I watched a movie, he seems blind to me. He's got that off stare, Right? Yeah. I mean, like where, you know, where you. You just looking through, right? And it's like, how the. Do you do that all the time? And you mean, like. It's. To me. I think method acting is. [00:51:34] Speaker A: He should have method acted Scarface because he was terrible in that. [00:51:39] Speaker B: I think you just like to have combative bro, you know? [00:51:42] Speaker A: He was terrible in that. He was not. [00:51:44] Speaker C: Because of that accent. [00:51:45] Speaker A: Yes, he was. They joked him about that accent when it came out. You know. As a matter of fact, that movie wasn't even a big movie until it got released on vhs. [00:51:53] Speaker C: In this long. [00:51:55] Speaker A: Terry was terrible when it first. It made no money when it first came out. Scarface was not loud. It was not considered a great movie. Vhs. It blew up. Look. Look it up. I'm not lying. Look it up. [00:52:05] Speaker B: I have to look. [00:52:06] Speaker A: And people was on his accent like. [00:52:09] Speaker C: Like, what are you doing? The movie's fine. [00:52:11] Speaker A: His accent is terrible. Like, he's got a lot. He's got a lot of lines that we still say. Oh, yeah, but his accent is terrible. [00:52:21] Speaker B: I mean, the ghetto boys. The ghetto boys popularize that. Like, all I have is my ball in my work All I have is my balls in my word and I don't break neither for all I have in this world All I have in this world yeah. [00:52:34] Speaker A: Everybody was on about those that come on. That Knox and Tony. Come on. [00:52:39] Speaker C: They really couldn't find a Cuban at all. [00:52:43] Speaker A: I don't. I think it was the name. He was still Al Pacino. I think he probably already had a little name. But yeah, the accent was terrible. [00:52:49] Speaker B: So could you. Either way, like, if it's a method or whatever. How do. How do you. How do you deal with. Or how could you if. Date somebody that was an actor? Because again, like, if they can do this right. Like if they can lie or pretend or possibly. Right, right. At any point, like. So I was watching. What was it called? The Dilemma with What's her name? What's the one that got caught stealing? [00:53:17] Speaker A: Winona Ryder. [00:53:17] Speaker B: Winona Ryder, right. And she's cheating on her dude. And. And that was a show. It's a movie. Okay, with the King of Queens dude, the Kevin James. And then what's the big tall dude? From Lurch? No, no, from the Wedding Crashers. Yeah, okay, him. But he caught. He catches her cheating on Kevin James, right? With fucking Shannon Tatum. And she. And he calls her out and she. She's like, listen, I'll go into it right now. You know, she fakes crying. Like, she's like, what do you mean? I'll fucking tell him that you did this, that, and the other. And I'll, you know, make it Vince Vaughn. Yeah. And she's like, I'll make it seem like, you know, whatever. And he's like, you're not gonna believe you. She's like, what? And she just goes into fucking tears and, like, literally crying at the end. I mean, it's almost like When Harry Met Sally, when she fucking had the orgasm at the table. And it's. But she starts crying and making it seem like. Listen. [00:54:18] Speaker A: See, French. That's what I'm saying. He didn't need to reference that movie. He just wants to let you know he watches a lot of movies. Like, that wasn't even necessary. Prince has never seen that. [00:54:26] Speaker B: That was the. That was the initial one. What's. [00:54:28] Speaker A: When Mary had said When Harry Met Sally France. I don't know. [00:54:31] Speaker C: That's what I was like, why do you. Why is he even bringing that up? [00:54:33] Speaker A: There was no. He's gonna let you know. There was no reason for him to point. [00:54:37] Speaker B: When Harry Van Sally was the original faking, like, a scene. Right. [00:54:41] Speaker A: I get what you're saying. It's troubling to think that someone could pull that off for the world. [00:54:45] Speaker B: Right? [00:54:46] Speaker A: But they. They can't fool me. [00:54:48] Speaker B: Right? Like, so, again, like, we're. We're in it, and now you're crying or you're. You're somewhere, you're telling me the truth or whatever. I. I'm questioning something. And you can lie at the hat. Drop of a hat, soon as they say action and be something totally different, depending upon whatever they're asking you of. How can I. [00:55:07] Speaker A: News flash. Do you know any women? They can cry too, bro. [00:55:12] Speaker B: They can. [00:55:12] Speaker C: They great actor. [00:55:13] Speaker A: They can do it too. [00:55:14] Speaker B: So basically, say, any woman can be an actress, bro. [00:55:17] Speaker A: No, I think any woman can fool you. [00:55:18] Speaker B: Yeah. No, that's for sure. [00:55:20] Speaker A: Me too. [00:55:20] Speaker B: That's for sure. I can't. I haven't met one that hasn't, so. You're right. [00:55:25] Speaker A: That's like part of their MO. They're all method actors. [00:55:28] Speaker B: They are. They be in that role for years. Like, they don't come up for air. Like, they be ready to. They don't break character at all. [00:55:35] Speaker A: You can't ever go full retar. Like, I didn't. I didn't. Trust me, I didn't. That nigga think I'm a retard, but I'm not. [00:55:40] Speaker B: Speaking of that, how do you think that he was able to do blackface and nobody got upset? [00:55:44] Speaker A: It was back in the day. [00:55:45] Speaker C: Downey Jr. Yeah. Who? [00:55:49] Speaker B: He said Downey Jr. Robert Downey Jr. Yeah. But, yeah, because it wasn't, like, really. [00:55:53] Speaker C: The black, racist black face. [00:55:55] Speaker B: What? [00:55:56] Speaker C: The makeup was good. The makeup was good. If you didn't know any better, you wouldn't think that was blackface. [00:56:02] Speaker A: That's what I'm saying. It was, like, real brown. Yeah, like, brown face. Yeah, he was brown face. He was brown. Yeah. [00:56:07] Speaker C: He had a good nappy hair. And then he was playing a white dude, playing a black dude as a black dude in a movie. That was so, like, you can't really hate on that. [00:56:20] Speaker B: I think. I think. I think what they got him over on it, right? Is that the way that they introduced it, is that it was pigment augmentation surgery. Like, this nigga didn't really, like. It's like, he didn't do blackface. This nigga actually had a surgery. Like, he put in the work. He committed to be blackfaced, right? Like, so you can't be mad at a nigga that had pigment augmentation surgery, right? Like, if a nigga goes through surgery to become black, nigga, you black at this point, right? [00:56:47] Speaker A: That's still one of the funniest movies I know. I told y'all about this. [00:56:50] Speaker B: I will watch it anytime it's on, I will. If it. If I catch it, I'm gonna stop it. And we're watching. [00:56:57] Speaker A: Who was. Who was Tom Cruise? No, not Tom Cruise. I can't remember. They. Robert Downey Jr. S character's name. [00:57:06] Speaker B: Osiris. [00:57:06] Speaker A: O. Osiris. Yeah, Osiris. What? [00:57:09] Speaker B: I think that was his last name. [00:57:11] Speaker A: No, Osiris's first name. He had a funny last name, too, there. Anyway, there's actually YouTube videos of that character that Robert Downey Jr. Made. [00:57:19] Speaker B: Really? [00:57:19] Speaker A: Yes. They're like, I've said on this show. [00:57:21] Speaker C: Before, like, like, bloopers. [00:57:23] Speaker B: No, no. Like, he's doing, like, backstory or, like. [00:57:26] Speaker A: Like, he made outside story, like, videos on YouTube. They might still be up. Robert Downey Jr. Did it, though. It's not like it's somebody pretending to be Robert Downey Jr. Actually, did this character on YouTube, like. Like outside of the movie, right? [00:57:40] Speaker B: Like, I don't break character to the DVD commentary. Like, for 400 years, that word has been holding us down. [00:57:47] Speaker A: Have you heard the one with DVD commentary, like, the director's cut or whatever that they. It's been stiller. It's been Stiller. I don't think Tom Cruising has been stiller. Robert Downey Jr. And Jack Black, they do, like, they basically just comment through the whole movie. It's hilarious. You can only get on the dvd, though. I think I may have. [00:58:05] Speaker B: I might. Yeah. If not, I'm gonna have to go look for it. I might have to see if I can get that because I still have a DVD player. [00:58:11] Speaker A: Nice. [00:58:12] Speaker C: It's one of the funniest movies ever. [00:58:13] Speaker B: No, bro, it. I mean is. [00:58:15] Speaker A: There's so many movies like that, you can't make it you super bad or any of that kind of. They'll never make movies. [00:58:20] Speaker C: Like, people are too woke now. [00:58:23] Speaker B: I mean, that's fucked up because again, woke is. I mean, like, it's a negative connotation now, but I think, like, who wouldn't want to be woke? Like, it's so weird. Like, these words have. Fucking weird. Like, they change sides. Like antifa. Like, it is like, okay, well, so we are fascist then. So, I mean, so antifa is short for antifascist, right? So when did we become pro fascist? Like, I mean, I thought we were always. [00:58:51] Speaker A: They're against fascists, right? [00:58:53] Speaker B: Anti fascists. [00:58:54] Speaker A: They're against fascists. [00:58:55] Speaker B: Right, right, right. [00:58:57] Speaker C: And TIFA now is considered the fascist movement. [00:59:00] Speaker A: Oh, I don't know. [00:59:01] Speaker B: See, that's what I'm saying. It doesn't make any sense. [00:59:02] Speaker A: Woke change. Because woke used to mean I know what the government is up to. I'm paying attention now. [00:59:07] Speaker B: I'm enlightened. [00:59:08] Speaker C: I understand social construct. [00:59:10] Speaker A: The government kind of took woke. It's like, no, you need to be woke and transgender. Right? Like, whoa, yeah. How did the government become the spokesman for woke? [00:59:18] Speaker B: Right? [00:59:18] Speaker A: I don't think they understand where this came from, but, hey, I'll let you tell it. [00:59:23] Speaker C: Propaganda. [00:59:24] Speaker B: Yes. [00:59:25] Speaker A: Anyway, listeners, we appreciate you guys tuning in once again to the no Nonsense show. Make sure you go out to the website raresonics.com where you can check out all the shows on the network. Till then, keep supporting us, keep interacting with us, and we'll keep bringing the nonsense because we realize that sometimes people just need to laugh. Till next time. [00:59:40] Speaker B: 10% less than any other podcast, guaranteed. Te.